{"id":675,"date":"2022-09-20T12:53:52","date_gmt":"2022-09-20T12:53:52","guid":{"rendered":"https:\/\/ressources.antichambre.net\/index.php\/2022\/09\/20\/william-morris-2\/"},"modified":"2022-10-17T08:46:50","modified_gmt":"2022-10-17T08:46:50","slug":"saul-bass","status":"publish","type":"post","link":"https:\/\/ressources.antichambre.net\/index.php\/2022\/09\/20\/saul-bass\/","title":{"rendered":"Saul Bass"},"content":{"rendered":"\n

Saul Bass<\/h2>\n\n\n
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Saul Pass (1920\u20141996), artiste, graphiste am\u00e9ricain<\/strong>.<\/p>\n\n\n\n


Saul Bass\u00a0est\u00a0n\u00e9 le 8\u00a0mai\u00a01920 dans le Bronx, \u00e0\u00a0New York. \u00c0\u00a0l’\u00e2ge\u00a0de 15\u00a0ans\u00a0qu’il\u00a0prend\u00a0des\u00a0cours\u00a0de\u00a0peinture\u00a0au \u201cArt\u00a0Students\u00a0League\u201d de Manhattan\u00a0avant\u00a0de\u00a0poursuivre\u00a0ses\u00a0\u00e9tudes au \u201cBrooklyn\u00a0College\u201d.\u00a0Il y\u00a0d\u00e9couvre\u00a0gr\u00e2ce\u00a0\u00e0\u00a0son\u00a0professeur\u00a0Gyorgy\u00a0Kepes, le Bauhaus.\u00a0Il ouvre\u00a0son propre studio\u00a0\u201cSaul\u00a0Bass\u00a0and\u00a0associates\u201d\u00a0\u00e0 Los Angeles\u00a0en\u00a01950.<\/p>\n\n\n\n

Il est c\u00e9l\u00e8bre notamment pour son travail de g\u00e9n\u00e9rique et d’affiches dans le domaine cin\u00e9matographique. Il a collabor\u00e9 avec notamment Otto Preminger, Alfred Hitchcock et Martin Scorsese. <\/p>\n\n\n\n

Bass\u00a0souligne\u00a0la\u00a0th\u00e9matique\u00a0visuelle\u00a0et\u00a0dramatique\u00a0du film, expose le\u00a0caract\u00e8re\u00a0des\u00a0personnages. La\u00a0qualit\u00e9\u00a0originale\u00a0de Bass\u00a0r\u00e9side\u00a0dans\u00a0sa\u00a0capacit\u00e9\u00a0\u00e0 identifier le\u00a0d\u00e9tail\u00a0qui\u00a0r\u00e9sume\u00a0\u00e0\u00a0lui\u00a0seul\u00a0le film et \u00e0 le\u00a0restituer\u00a0de mani\u00e8re\u00a0graphique\u00a0et\u00a0moderne.\u00a0Quand il\u00a0cr\u00e9e, il ne\u00a0cherche\u00a0pas \u00e0\u00a0illustrer\u00a0cettephase informative\u00a0qu’est\u00a0le\u00a0g\u00e9n\u00e9rique\u00a0mais\u00a0\u00e0\u00a0mettre\u00a0en\u00a0sc\u00e8ne\u00a0de mani\u00e8re\u00a0graphique\u00a0les\u00a0principaux\u00a0\u00e9l\u00e9ments\u00a0qui\u00a0seront\u00a0utilis\u00e9s\u00a0dans le film sous\u00a0forme\u00a0d’un\u00a0r\u00e9cit. C’est cette approche tr\u00e8s graphique avec une pr\u00e9dominance des lignes, des formes d\u00e9coup\u00e9es et d’une typographie bris\u00e9equi marque la rupture avec les habitudes en vogue.<\/p>\n\n\n\n

Bass adopte une approche\u00a0qui consiste\u00a0\u00e0 centrer le g\u00e9n\u00e9rique du film sur un symbole graphique et il se repose\u00a0essentiellement sur\u00a0l’utilisation d’\u00e9l\u00e9ments visuels issus du film. Preminger\u00a0s\u00e9duit\u00a0par ce que produit Bass,\u00a0lui demande de r\u00e9aliser le g\u00e9n\u00e9rique, de L’Homme au bras <\/em>d’or\u00a0ce\u00a0qui le fera reconna\u00eetre comme le ma\u00eetre du genre.<\/p>\n\n\n\n

Il\u00a0produira\u00a0aussi\u00a0de\u00a0nombreux\u00a0logos, par\u00a0exemple\u00a0pour AT&T, United Airlines\u00a0ou\u00a0Minolta.\u00a0<\/p>\n\n\n\n

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LIVRES
<\/strong><\/p>\n<\/div>\n\n\n\n

LIENS<\/strong>

<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Saul Pass (1920\u20141996), artiste, graphiste am\u00e9ricain. Saul Bass\u00a0est\u00a0n\u00e9 le 8\u00a0mai\u00a01920 dans le Bronx, \u00e0\u00a0New York. \u00c0\u00a0l’\u00e2ge\u00a0de 15\u00a0ans\u00a0qu’il\u00a0prend\u00a0des\u00a0cours\u00a0de\u00a0peinture\u00a0au \u201cArt\u00a0Students\u00a0League\u201d de Manhattan\u00a0avant\u00a0de\u00a0poursuivre\u00a0ses\u00a0\u00e9tudes au \u201cBrooklyn\u00a0College\u201d.\u00a0Il y\u00a0d\u00e9couvre\u00a0gr\u00e2ce\u00a0\u00e0\u00a0son\u00a0professeur\u00a0Gyorgy\u00a0Kepes, le Bauhaus.\u00a0Il ouvre\u00a0son propre studio\u00a0\u201cSaul\u00a0Bass\u00a0and\u00a0associates\u201d\u00a0\u00e0 Los Angeles\u00a0en\u00a01950. Il est c\u00e9l\u00e8bre notamment pour son travail de g\u00e9n\u00e9rique et d’affiches dans le domaine cin\u00e9matographique. Il a collabor\u00e9 avec notamment Otto Preminger, Alfred Hitchcock et Martin […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[48,46,21,49],"class_list":["post-675","post","type-post","status-publish","format-standard","hentry","category-des-graphistes","tag-cinema","tag-graphisme","tag-graphiste","tag-saul-bass"],"_links":{"self":[{"href":"https:\/\/ressources.antichambre.net\/index.php\/wp-json\/wp\/v2\/posts\/675","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ressources.antichambre.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ressources.antichambre.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ressources.antichambre.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ressources.antichambre.net\/index.php\/wp-json\/wp\/v2\/comments?post=675"}],"version-history":[{"count":14,"href":"https:\/\/ressources.antichambre.net\/index.php\/wp-json\/wp\/v2\/posts\/675\/revisions"}],"predecessor-version":[{"id":733,"href":"https:\/\/ressources.antichambre.net\/index.php\/wp-json\/wp\/v2\/posts\/675\/revisions\/733"}],"wp:attachment":[{"href":"https:\/\/ressources.antichambre.net\/index.php\/wp-json\/wp\/v2\/media?parent=675"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ressources.antichambre.net\/index.php\/wp-json\/wp\/v2\/categories?post=675"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ressources.antichambre.net\/index.php\/wp-json\/wp\/v2\/tags?post=675"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}