{"id":570,"date":"2022-09-27T05:30:53","date_gmt":"2022-09-27T05:30:53","guid":{"rendered":"https:\/\/ressources.antichambre.net\/?p=570"},"modified":"2022-09-27T05:31:52","modified_gmt":"2022-09-27T05:31:52","slug":"typoesie-anthologie-de-poesie-typographique","status":"publish","type":"post","link":"https:\/\/ressources.antichambre.net\/index.php\/2022\/09\/27\/typoesie-anthologie-de-poesie-typographique\/","title":{"rendered":"Typo\u00e9sie anthologie de po\u00e9sie typographique"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\"><figure class=\"wp-block-post-featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"367\" height=\"500\" src=\"https:\/\/ressources.antichambre.net\/wp-content\/uploads\/2022\/09\/peignot.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" style=\"object-fit:cover;\" srcset=\"https:\/\/ressources.antichambre.net\/wp-content\/uploads\/2022\/09\/peignot.jpg 367w, https:\/\/ressources.antichambre.net\/wp-content\/uploads\/2022\/09\/peignot-220x300.jpg 220w\" sizes=\"auto, (max-width: 367px) 100vw, 367px\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:50px;flex-basis:50%\"><h2 style=\"font-size:30px;font-style:normal;font-weight:700;\" class=\"wp-block-post-title has-system-font-font-family\">Typo\u00e9sie anthologie de po\u00e9sie typographique<\/h2>\n\n\n<p>Typo\u00e9sie et non typographie : le sens joue avec la forme, il na\u00eet d&#8217;elle et l&#8217;impose. Les oeuvres des grands typographes du XXe si\u00e8cle sont pr\u00e9sentes : Maximilien Vox, le Bifur de Cassandre, Piet Zwart, les am\u00e9ricains Martin Solomon et Herb Lubalin, Raymond Gid, Guy Levis Mano. Mais, plac\u00e9 sous les auspices de Michel Leiris, le livre expose les po\u00e9sies visuelles des allemands Gomringer, Mon, R\u00fchm, des br\u00e9siliens de Campos et Pignatari, d&#8217;Emmet Williams, de Christian Dotremont, de Jacques Roubaud ; et les typo\u00e8mes des&#8230;<\/p>\n\n\n\n<p style=\"font-size:0.86rem\"><strong>Auteur : <\/strong>J\u00e9r\u00f4me Peignot<br><strong>ISBN : <\/strong>9782742757985<br><strong>Editeur :<\/strong> Actes Sud<\/p>\n<\/div>\n<\/div>\n\n\n<div class=\"taxonomy-post_tag wp-block-post-terms\"><a href=\"https:\/\/ressources.antichambre.net\/index.php\/tag\/jerome-peignot\/\" rel=\"tag\">J\u00e9rome Peignot<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/ressources.antichambre.net\/index.php\/tag\/livres\/\" rel=\"tag\">livres<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/ressources.antichambre.net\/index.php\/tag\/poesie\/\" rel=\"tag\">po\u00e9sie<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/ressources.antichambre.net\/index.php\/tag\/typographie\/\" rel=\"tag\">typographie<\/a><\/div>","protected":false},"excerpt":{"rendered":"<p>Typo\u00e9sie et non typographie : le sens joue avec la forme, il na\u00eet d&#8217;elle et l&#8217;impose. Les oeuvres des grands typographes du XXe si\u00e8cle sont pr\u00e9sentes : Maximilien Vox, le Bifur de Cassandre, Piet Zwart, les am\u00e9ricains Martin Solomon et Herb Lubalin, Raymond Gid, Guy Levis Mano. Mais, plac\u00e9 sous les auspices de Michel Leiris, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":571,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[36,6,35,10],"class_list":["post-570","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-livres","tag-jerome-peignot","tag-livres","tag-poesie","tag-typographie"],"_links":{"self":[{"href":"https:\/\/ressources.antichambre.net\/index.php\/wp-json\/wp\/v2\/posts\/570","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ressources.antichambre.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ressources.antichambre.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ressources.antichambre.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ressources.antichambre.net\/index.php\/wp-json\/wp\/v2\/comments?post=570"}],"version-history":[{"count":2,"href":"https:\/\/ressources.antichambre.net\/index.php\/wp-json\/wp\/v2\/posts\/570\/revisions"}],"predecessor-version":[{"id":573,"href":"https:\/\/ressources.antichambre.net\/index.php\/wp-json\/wp\/v2\/posts\/570\/revisions\/573"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ressources.antichambre.net\/index.php\/wp-json\/wp\/v2\/media\/571"}],"wp:attachment":[{"href":"https:\/\/ressources.antichambre.net\/index.php\/wp-json\/wp\/v2\/media?parent=570"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ressources.antichambre.net\/index.php\/wp-json\/wp\/v2\/categories?post=570"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ressources.antichambre.net\/index.php\/wp-json\/wp\/v2\/tags?post=570"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}